The fifth album Mi najayita had songs such as I'm dying because you're my girlfriend, You are so cute, and Chicanos. The fourth album debut was Los triumphadores, WHICH HAD SONGS LIKE Sad to imagine, Las Logazanas, If what happened to me happens to you, You are, and Never see each other again. His second album with Los Bukis was I had you and I lost you, which was closely followed by the release of I feel alone, which had songs such as La indiecita, Los Wire fences, and My Pretty Wife. In 1976, with the False Love theme, they became popular in central and south America. The lyrics of the theme Cardboard Houses were included in the release of the bonus track with the cover of "Men should not cry". They recorded the first album as a group entitled Casas de Cardboard (later renamed Falso Amor ) inclusive two unreleased songs composed by Marco Antonio and eight versions. The ideology of forming a group arose in 1975 as it gave life to Los Bukis.
Later, they recorded an episode titled Jugando Con las Estrellas, an album that had songs written by Marco Antonio, this saw him stand out as the best composer. The name originates from the name given to children in Northern Mexico.
In 1972, due to their quality and perseverance, they signed with the record company Discos Melody, Fonovisa Records, and with the name of the duet Los Bukis. Afterward, they renamed Los Soles Tarascos and later on settled for Los Hermanitos Solis, which made on the screen show Siempre en Domingo and recorded their first single album debut. A melody alone moves me, makes me vibrate.The music beginnings of Marco Antonio Solis date in the 1970s, when he was 10 years old when he and Joel Solis established El Dueto Solis. By then the essence of the song is there. I sit at my keyboard and I write the bass and little by little construct the harmonies. When I get to my studio, I begin to give shape to my scribbles. And, always, always, I write on my little slips of paper. Plus, I record the melodies there as they come to me, and my voice reflects the emotional state I was in when I recorded them. Solis: “Oh, they all laugh at me, because I sometimes take it with me to the gym. Q: Do you still record with a little tape recorder? If I go walk somewhere, for example, you can feel the energy, the positive vibrations, the quietness, and suddenly, the words come.” There are many things we don’t see, but we feel. Everything is always there, floating invisibly. Q: Your new album is titled “No Molestar” (Don’t Bother), after the single of the same name. What’s important to me is what I leave on the stage.” It’s taken me a long time, and I want to take care of it as much as possible. I want to give honesty to the name and not tie it with business transactions. I don’t feel comfortable selling products. Q: In this day and age when musicians are focused on branding, it appears you don’t have any sponsorships. Perhaps a better term is simply ‘Mexican music.’ What I find across all countries is a very similar sensibility.” With the proper orchestration and the right show, we can play with what’s considered regional Mexican, but we can also sing the big ballads, like any other pop soloist. And the evidence is we can be playing anywhere in Latin America and in Spain. Solis: “When they call me ‘regional Mexican’ I feel like I’m from a single region.
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